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The Zack Snyder Dawn of the Dead remake replicated a lot of this film’s DNA when it was released two years later, although it marries the concept with the more traditional Romero ghoul. It’s indicative of another trend of the 2000s, which was to reimagine the classic rules of zombie cinema to fit the needs of the film. Indeed, 28 days Later is a dead-serious horror film, marking a return to seeing these types of creatures as a legitimate, frightening threat. It’s hard to overstate how big a quantum leap that mobility was for the zombie genre-the early scenes of 28 Days Later where Jim (Cillian Murphy) tries to navigate a deserted London in hospital scrubs, chased by fast-moving zombies, did for this genre what Scream did for the slasher revival, sans the humor. It’s a modernization of the same fears that powered Romero’s ghouls-unthinking assailants who will stop at nothing and are now more dangerous than ever because they move at a full-on sprint. Here, they’re living rather than dead, poor souls infected by the “rage virus” that makes them run amok, tearing through whatever living thing they see. (And yes, we all know that the “infected” in this film aren’t technically zombies, so please don’t feel that you have to remind us.) The definition of “zombies” is fluid, and always expanding. The classical zombie film was effectively dead by the time 28 Days Later came along in 2002 and completely reanimated the concept. Stars: Cillian Murphy, Naomie Harris, Christopher Eccleston, Megan Burns, Brendan Gleeson It was and remains an exceptional film of great beauty, coldness, precision, calculation and yes, fright. It was too much the product of an auteur mind to be so easily unwrapped and reverse engineered nor was its initial reaction entirely positive, contrary to what you might now assume. It is telling that, unlike some of the other great horror films on this list, The Shining saw few attempts at what you’d call direct imitation in the years that followed.
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Watching that film, one begins to understand how a movie such as The Shining can draw forth deep, primordial responses from its audience, such as the all-consuming need to understand.
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These small details have for decades fueled mysteries and conspiracy theories about the director’s true intent, as was captured beautifully in The Shining documentary Room 237 by Rodney Ascher. At the same time, though, The Shining also still rewards scholarly analysis of its elements that are less known to the casual cinemagoer, such as Kubrick’s unique use of dissolves layered on top of one another to create composite images, or the seemingly purposeful continuity errors that pop up in a handful of scenes. Its most famous sequences, such as Danny scrawling “redrum” on the wall or Jack chopping down the bathroom door to get to Wendy, are so deeply embedded in pop culture at this point that references to them will be easily understood until the end of recorded history. Its droning soundtrack, innovative Steadicam shots and singular images, like that of the two little Grady girls standing in the hallway, beckoning to Danny, are instantly recognizable even to people who have never explored horror cinema. Stars: Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman CrothersĪs an aural-visual experience, The Shining is likely the single most distinctive horror film ever made. The best horror movies streaming on Shudder The best horror movies streaming on Netflix You may also want to consult the following horror-centric lists: Here, then, are 50 best horror movies streaming on HBO Now. Regardless, of all the major streamers, HBO Max likely has the horror library most focused on what you’d call older “classics,” rather than newer releases-fine with us, considering that segment tends to be less well represented. There are also some franchise staples like Friday the 13th, and indie gems like Trollhunter or The Empty Man. There are strange, foundational early horror films, such as Haxan or Vampyr, along with classics of world cinema like Japan’s Kwaidan, Onibaba and House. That makes for an interesting horror library indeed, one that balances total schlock from Roger Corman with acclaimed works by the likes of Guillermo Del Toro and Stanley Kubrick. Rather, almost everything here received a wide release at some point.
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That’s because unlike the horror selections of Netflix, Hulu or (especially) Amazon Prime, the bulk of the selections here aren’t made up of modern, straight-to-VOD, zero-budget productions with vague, one-word titles like Desolation or Satanic. The overall scope of the service might not be quite as broad as something like Netflix, but you’re likely to have heard of far more of these films. The first thing one notices, looking at the horror genre as it exists on HBO Max, is that there’s an unusual level of genuine curation involved here.